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Gojira - Patience Makes Perfect |
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Written by Mike Thomas
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Monday, 09 April 2007 |
You might think a band would grow impatient after playing for over a
decade while remaining relatively unnoticed in the U.S. — the very
place Gojira has always dreamed of landing.
Gojira’s frontman and
guitar virtuoso Joe Duplantier doesn’t really see things like everybody
else. “We needed ten years to get big in Europe and now we are a new
band in the states; it’s our second big tour in the states [supporting
Lamb of God, Trivium and Machine Head]. We know we are a new band in
the states but it’s not a problem because when you want to become a
doctor it might take ten years, and I mean it’s the same thing for a
band and now we’re ready to have a career.”
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For Duplantier, Gojira is truly that serious and his patience seems to
have no end. Maybe you’ve never heard a musician liken ten years trying
to break even and sticking to the road to going to med school, but
Duplantier isn’t your average musician and certainly not your “average
Joe” either. The French four piece’s spokesman is humble to say the
least, and knows just how important his strong relationship with his
band mates is; and how hard he, his brother and drummer Mario
Duplantier, 25, guitarist Christian Andreu, 30, and bassist Jen-Michel
Labadie, 33, have worked to get noticed here. “It takes a long time to
know how to do this job, being a musician and to learn how to deal with
the tensions in the band- that’s also very, very important and to know
that you can trust your band mates. Now I know that I can trust each
one of my friends, we are strong and ready to go on the road for a long
time.”
In Duplaniter’s mind, there’s no question it was American and English
metal that influenced the 30-year old Frenchman from the beginning,
back when Joe was just hitting puberty. The thought of singing in his
native language never seemed to cross his mind, growing up in Bayonne
in the South of France. In fact, he never even felt like he was faced
with a choice at all. “I don’t know how to explain it, but it’s
spontaneous. It’s like all the Metallica songs, Sepultura; they are
printed on my mind, you know, so when I start to sing, English comes
out. I don’t know why, but it’s in English; sometimes I even dream in
English.
“We were influenced by American and English music; that’s’ what we
like, that’s what we like to hear. Iron Maiden, Metallica, Morbid
Angel, Death; so when we first started, the very first rehearsal I was
singing in English because I just wanted to do exactly like those guys.
There’s another point and it’s that when you want to speak a message to
the world you do it in English, you don’t do it in French, you know
what I’m saying.”
Over the past decade-plus of adjusting its sound and experimenting,
Gojira has evolved from sounding like a traditional death metal band to
a more progressive style––fusing rock, hardcore and of course the harsh
sounds that emerged from the band’s first practice. Meshing
unexpectedly complex melodies, overtly chunky transitions and a
rhythmic power and sharpness second to none, Gojira has not only
emerged successfully onto an already crowded metal scene in the U.S.,
but also seem to have translated into a unique niche for U.S. fans with
resounding reviews.
Gojira’s musical development has never been planned, or even thought
out. “When we started my brother was 13 years old, can you imagine
that, and I was only 18 and we were very into death metal —so the
influences were very straightforward, but yet I had a very high
interest in the experimental thing; it was kind of strange death metal
I think. Then we get older (he says with a chuckle) and you know that’s
life, it’s not that we want to sell more records, it has nothing to do
with that; it’s just that we change, we evolve, we experience life with
girls, just with life, with hard things, great things and the music is
evolving, that’s natural. We just try to stay honest, we try to keep a
spontaneous aspect you know, we grab a guitar and just hit it and we do
some fuckin’ noise. Personally I don’t try to build anything; I just
build it, I don’t try.”
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Hardly shy about his deep adoration of music in general, Duplantier is
outwardly passionate about his first and deepest love. “I just play and
if it sounds good, it’s good, so it’s true that we are big fans of
music, we love every kind of music, hip hop, rap, classical, jazz,
whatever. When it sounds good we just appreciate it, we are happy; I
don’t know how to describe it. We are big, big music fans, really. I
just love music, I really love it and that’s the point. It’s a great
playground when you have a lot of energy like we have. We have a lot of
energy to dispense and spread.”
Spreading a message is important to Gojira too; it’s not just about the
music. But it’s a story you would hardly expect from a heavy,
double-bass wielding monster such as Gojira. The band’s strong stance
on environmentalism, and Duplantier’s lyrical pleas for individuals to
change habits and heal the planet rather than destroy it are hardly the
status quo for modern metal, or really any music for that matter. |
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“The
message is that we all need to take care of the planet and also take
care of yourself, because it’s like ‘hey guys, are you fucking alive or
what?’ And that’s the message. And what’s the most important, to kill
each other or respect each other. Think for yourself and take care of
yourself if you want to take care of the world. We are all in the same
ship, you know the same planet and there is a problem with this planet;
we just fuck it up and we should stop it right now! Because it’s too
important, because we are all stuck in this ship, lost in outer space
and we have to do something about it. And it’s spontaneous once again,
just when I scream that’s just what comes out, you know? I feel
concerned as a human being and we all (band) are concerned and that’s
the common point between the four of us. We all agree to have these
kinds of lyrics.”
But Duplantier isn’t disappointed at all that other heavy bands seem to
preach a message of destruction and chaos hardly the green message
Gojira delivers. He seems to have a real connection to the cathartic
nature of releasing frustration and anger through metal. “I understand
why they say ‘fuck you all and I wanna die and kill myself; I rape you,
I fuck you. I understand that perfectly because I feel that also. It’s
human, it’s natural. I don’t blame them. I know with Lamb of God and
Machine Head - we became good friends and I know them and they are so
nice, just incredible people, really, really incredible people. They
are down to earth, easy going and they say that, so why do they say
that and I just try to understand why they say that and I understand.
We all have pains and suffer so it’s natural to express; it’s good,
it’s positive for them to say that because they have to let it go and
people in the audience — they let it go at the same time. Then I come
in and give them another message; it’s not paradoxical, I think it goes
well together.”
Joe doesn’t speak from a lack of any experience meeting bands; Gojira
has basically been on the road continuously since the release of From
Mars to Sirius in 2005. While it’s no easy task, Gojira is committed to
perfecting its craft — which means staying on the road and conquering
the U.S. one show at a time, but he acknowledges the many sacrifices
that come with being road warriors. “It is hard, it is truly very hard
to go away from your girlfriend for example, but it’s a choice you have
to make for a living; it’s very, very special. We have fun on stage, we
do exactly what we want, it’s just like a dream come true to play your
music for a living for people. On the road for 50 days you might have
45 shows, which means you only have five days off so you’re getting
stronger, you’re getting better and if you’re sick you’re out so you
don’t get sick. You have to become like a warrior so it’s a great
experience as a band.”
But even warriors feel some pressure sometimes; for Gojira however,
that pressure comes from within, not from any record labels, fans or
peers. It may in fact be true that Gojira is in fact its worst critic.
“We have enough pressure on ourselves. We want to do our best all the
fuckin’ time, so we put the pressure on,” he says chuckling. “It’s not
the record companies or anything else, but we are such perfectionists,
we don’t get pressure from the outside.” It’s that pressure from within
and an almost inexplicable rumbling desire that fuels Gojira’s presence
to keep forging forward. While Duplantier may do plenty of yelling on
stage, he insists when it comes to bragging rights, he keeps his mouth
shut. “We are very quiet. We have worked to make this happen and it’s
true that it can be a bit of pressure sometimes, but we feel no
pressure and I know it sounds strange, but I am very confident; I know
when I grab my guitar, I can compose Gojira’s stuff, so no pressure.”
For news and tour schedule please visit http://www.gojira-music.com/
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